'Burial at Thebes\r'

'Mia Britton Mrs. Baker DRA cx 4 March 2013 The interment at Thebes The run for Burial at Thebes is a modern variant of Antigone by Sophocles and Seamus Heaney is credited for this recent translation. The plot complex body part used in Heaney’s work locoweed be described as occasional(a). This frolic stands expose as episodic because of its early point of attack. For example, at the start of the opening scene Antigone approaches her sister Ismene with watchword that male monarch Creon has issued a proclamation that their brothers body should non receive a proper burial, and that anyone trying to steep him will be stoned to death.She intends to resist the truth and bury Polynecies but, Ismene refuses to assist Antigone. Therefore, Antigone disowns Ismene and pledges never to accept her aid. a nonher(prenominal) example of episodic encounter structure in The Burial at Thebes when Eurydice hears from the messengers the death of her news she leaves in silence and K ing Creon returns with his dead countersign Haemon in his arms. The messengers approach King Creon with grievous news that his wife Eurydice has taken her life. These examples prove that Seamus Heaney’s work is episodic because after one consequent another incident approaches.The protagonist can be defined as the central character in a play or the person who the story is about and experiences the nigh changes. In Seamus Heaney’s play there atomic number 18 two possible protagonists Antigone and Ismene. Antigone can be considered a protagonist because the play revolves around her rebelling against the King and his root to not bury her brother’s body. another(prenominal) protagonist is Ismene because during the opening scene she tells Antigone that she will not assist her in burying her brother.As the course of the play continues Ismene realizes what is right and defends her sister against King Creon by formula that she will die along with her sister. Ismen e also tries to exchange King Creon to not take her sisters life by asking him whether he would kill the bride of his son since Haemon is meant to hook up with Antigone. Ismene’s attitude changes from a noble citizen to that of a martyr. An antagonist can be defined as a person who is opposed to the protagonist or the goal of the protagonist. In Burial atThebes King Creon appears to be the antagonist because he is against burying or accolade any ceremonial rights to Antigone and Ismenes brother. As the play begins King Creon tells the elders of Thebes that anyone who awards a proper burial for Polyneices would be retch to death. When King Creon finds about Antigone’s actions he decl bes that both sisters will be put to death. Antigone explains that she knew of his decree and she besides answers to Zeus, the gods didnt lay down these laws for manipulation, and that she will endure the gods impression for the burial.King Creon decides that he doesn’t want th e blood of Antigone on his hand so he believes the best modal value to take her life is by burying her on a lower floor rocks with food. These acts do by King Creon are state that he is the antagonist in the play Burial at Thebes. The play Burial at Thebes was think to teach and educate its audience on societies and politics. Seamus Heaney displays a powerful King that doesn’t take advice from anyone. A few examples of King Creon not heeding to advice is first seen when his son Haemon tries to urge him to be open to both opinions.He dismisses his son calling him a woman slave. Even the elders’ principal King Creon’s by stating that he should bear in mind to his son’s request. Creon becomes irritated and questions the elders whether they should be taught by a young boy. King Creon was also approached by Teirasis and says, â€Å"The gods do not take the prayers or sacrifices of the Thebans, and the birds cries are muffled because the birds throats ar e glutted with the blood of Polyneices”. Teiresias explains the consequence of taking rede, and says that a man who makes a misunderstanding and then corrects it brings no shame on himself.King Creon at a time again does not heed to wise counsel and believes that just because he has authoritative power that he doesn’t require counsel. Seamus Heaney also exhibits bravery in his characters in which his audience members can learn from. For example, not only did Antigone represent bravery, but Haemon exemplified Bravery by standing up to his father. These acts of bravery appeared small at the beginning, but towards the end of the play they actually made a difference. All in all, these examples proved that Seamus Heaney’s work is educational and displayed politics.\r\n'